Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. An ill-lined purse is a poor recompense for the risk I have run. ‘Who in the name of heaven is this Leonardo? And why did he kiss you?’ ‘He was an Italian soldier, and he wanted to kiss me,’ Melusine said, goaded. Out of the beaten track, far from the trails of men! He relaxed. “I’ve brought you up some dinner, Vee,” she said. ‘As I have said, it was a quarrel between the vicomte and Monsieur Charvill. As he anticipated, he was here comparatively screened from the fury of the wind; and when he gazed upon the roaring fall beneath him, visible through the darkness in a glistening sheet of foam, his heart overflowed with gratitude for his providential deliverance.
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