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The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. " "Funny, about that coat. “I can only repeat what I said before,” she declared. She seemed to be making some sort of inventory. When she came in after dinner that night, Ruth was no longer an interesting phenomenon, something figuratively to tear apart and investigate: she was talismanic. Lucy grabbed his shirtsleeve, whispering on tiptoe. ‘What am I looking for?’ ‘A miniature. A solemn consideration, when I enter a great city at night, that every one of those darkly clustered houses encloses its own secret; that every room in every one of them encloses its own secret; that every beating heart in the hundreds of thousands of breasts there, is, in some of its imaginings, a secret to the heart nearest it!' … It kind of terrifies me," said Ruth, looking up, first at the face of her husband, then at McClintock's. Their flitting hands were always touching.

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