‘You think so? Well, if that’s so, I know where she gets her impudence, Prudence Sindlesham. All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. At a little distance from the party, sat a tall, sinister-looking personage, with harsh inflexible features, a gaunt but muscular frame, and large bony hands. She could not see clearly. Jonathan Wild's House in the Old Bailey XVII.
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