Goopes down on him with the lesson Titian teaches so beautifully in his “Sacred and Profane Love,” and became quite eloquent upon the impossibility of any deception in the former. “I knew,” she said, in a low despairing tone, “that people would talk. She sat very still, and his eyes rested on that ornament for a moment, and then travelled slowly to her wrist and the soft lines of her forearm. "That's tremendous!" he cried. “I think,” she said, “that I would rather not have anything to say about that man. I don’t care. ‘Silence,’ hissed a voice in French. A riding-habit is all I have seen. Wood had the advantage of her husband in point of years, being on the sunny side of forty,—a period pronounced by competent judges to be the most fascinating, and, at the same time, most critical epoch of woman's existence,—whereas, he was on the shady side of fifty,—a term of life not generally conceived to have any special recommendation in female eyes. If the creator drew a hero anything like himself, she would accept it as a sign that he did care a little.
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