McClintock does it; and he knows why. Pramlay received them in the pretty chintz drawing-room, which opened by French windows on the trim garden, with its croquet lawn, its tennis-net in the middle distance, and its remote rose alley lined with smart dahlias and flaming sunflowers. The door into the passage offered itself with an irresistible invitation—the one alternative to a public, inexplicable passion of weeping.
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