“Yeah, I know. The houses loomed progressively larger as one strode up the block, growing from ranch to two-story, from squat 1950's modern to stately 1890's palace. ‘You see,’ he pursued blandly, ‘I lead a life of the most intolerable boredom. It’s a beautiful plant, but a tender one. ” “Who says I don’t? Didn’t you used to live in Arkansas?” “Alabama. On the groundfloor the shutters were closed, or, to speak more correctly, altogether nailed up, and presented a very singular appearance, being patched all over with the soles of old shoes, rusty hobnails, and bits of iron hoops, the ingenious device of the former occupant of the apartment, Paul Groves, the cobbler, to whom we have before alluded.
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