The metrical irregularity is intentional, because I want, as it were, to put you apart: to change the lilt and the mood altogether when I speak of you. She pawed at him, her hunger for his body making her dizzy with anticipation. He was the beachcomber, or the old sailor with the black pearl (Ruth's tales), or the wastrel musician McClintock had described to him. It was a gracious gesture, she thought, as he trudged to the Beck’s humble doorstep in his stiff blue polyester uniform. "Speak out—don't be alarmed," said Wood, in a kind and encouraging tone. “Very likely,” he answered. I've a few necessary directions to leave with my people, to put 'em on their guard against the chance of a surprise. Not that he deliberately courted danger; it was rather the searcher, seeking analysis, the why and wherefore of this or that invading emotion.
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