‘Where are you taking me?’ she asked, assuming a fearful accent. It was too good to be true. But in its stead—toward morning—there appeared another idea which appealed to him as sublime, appealed to the primitive conscience, to his artistic sense of the drama, to the poet and the novelist in him. And she was as shrewd as they come. ‘Pardon, milor’,’ said Valade, ‘but Monsieur Charvill, he was not at fault. The size and grandeur of the edifice, indeed, drew down the ridicule of several of the wits of the age: by one of whom—the facetious Tom Brown—it was said, "Bedlam is a pleasant place, and abounds with amusements; —the first of which is the building, so stately a fabric for persons wholly insensible of the beauty and use of it: the outside being a perfect mockery of the inside, and admitting of two amusing queries,—Whether the persons that ordered the building of it, or those that inhabit it, were the maddest? and, whether the name and thing be not as disagreeable as harp and harrow. " "I have often conjured up some frightful vision of the dead," murmured the knight, "but I never dreamed of an interview with the living.
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